Initially, UK-primarily based Lydia Whitmore was skilled in painting before evolving into a commercial existing photographer with a studio in east London. Whitmore has recently joined One Represents corporation and gained Best in Book at the 2018 Creative Review Photography Annual. Her work is featured in Wallpaper’s May 2019 difficulty, and we stuck as much as paying attention to her working practice.
Your style of work and procedure.
Lydia Whitmore: After apprenticing with an exquisite, nonetheless life photographer who taught me invaluable knowledge of the technical factors of lights, my formerly extra artistic method fused with a more methodical and measured education. With still lifestyles, each object you shoot has its man or woman, surfaces, materials, and unique residences. I attempt to locate and accentuate the beauty of items, which keeps it ad infinitum enticing.
W*: Who or what made you want to be a photographer?
LW: Because I grew up in a quiet, isolated place of the Sussex woodlands, I didn’t have to get right of entry to TV or media, so it changed into cinema that, to begin with, stimulated me and continually regarded as notably magical. Working toward the introduction of a film fantasy global is what motivates me. Filmmakers and artists Kenneth Anger and Matthew Barney are lifelong heroes of mine.
After spending some years reading paintings at Central St Martins and Chelsea School of Art, which gave me a sturdy basis to work from, I ultimately determined pictures are without delay enjoyable; it’s relatable for a target audience, and the maximum honest and clear expression of my thoughts.
W* What’s presently on your radar?
LW: Recently, I’ve been excited about artists exploring the factor at which photograph-making and generation meet, consisting of Frederik Heyman, who’s been doing some fascinating work with photogrammetry staging digital worlds. I tend to search for suggestions out of social media doors and my existing photography friends.
However, collaboration is constantly most inspiring for me; I’m in the early stages of a film challenge with artist Nicky Deeley. Also, I’m constructing a creative organization with colleagues (new partner. Services), which allows us to pool our abilties and boom the scope of what we will physically obtain with an unmarried idea. Having the resources to create something, I believe, is an extraordinary feeling. §
