Initially, UK-primarily based Lydia Whitmore skilled in painting, before evolving into a commercial nevertheless existence photographer with a studio in east London. Whitmore has recently joined One Represents corporation and gained Best in Book at the 2018 Creative Review Photography Annual. Her work is featured in Wallpaper’s May 2019 difficulty and we stuck as much as pay attention about her working practice.


Your style of work and procedure.
Lydia Whitmore: After apprenticing with an exquisite nonetheless life photographer who taught me invaluable knowledge of the technical factors of lights, my formerly extra artistic method fused with a more methodical and measured education. With still lifestyles, each object you shoot has its personal man or woman, surfaces, materials, and unique residences. I attempt to locate and accentuate the beauty of items, that is what keeps it ad infinitum enticing.

W*: Who or what made you want to be a photographer?
LW: Because I grew up in a quite isolated place of the Sussex woodlands I didn’t have to get right of entry to to TV or media, so it changed into cinema that, to begin with, stimulated me and continually regarded notably magical. Working toward the introduction of a filmic fantasy global is what maintains to motivate me. Filmmakers and artists Kenneth Anger and Matthew Barney are lifelong heroes of mine.

After having spent some years reading painting at Central St Martins and Chelsea School of Art, giving me a sturdy basis to work from, I ultimately determined pictures greater without delay enjoyable; it’s relatable for a target audience and the maximum honest and clear expression of my thoughts.

W* What’s presently for your radar?
LW: Recently I’ve been excited about artists exploring the factor at which photograph making and generation meet, consisting of Frederik Heyman who’s been doing some fascinating work with photogrammetry staging digital worlds. I tend to try and search for suggestion out of doors of social media and my nevertheless existence photography friends.

What is constantly most inspiring for me however is collaboration; I’m within the early stages of a film challenge with artist Nicky Deeley. Also, I’m constructing a creative organization with colleagues (newpartner.Services), which easily allows us to pool our abilties and boom the scope of what we will physically obtain with an unmarried idea. It’s an extraordinary feeling having the sources to create quite much something I can believe. §

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